... Diane ARBUS : " I really believe there are things nobody would see if I didn't photograph them."
... Garry WINOGRAND : "I photograph things to see what they look like when photographed."
... Walker EVANS : " ... pictures speak for themselves, wordlessly, visually, or they fail."
OU ENCORE
(Do you think it's possible for the camera to lie ?)
It certainly is. It almost always does.
(Is it all right for the camera to lie ?)
No, I don't think it's all right for anything or anybody to lie. But it's beyond control. I just feel that honesty exists relatively in people here and here.
Walker EVANS / Yale Alumni Magazine -1964
Tuesday, 22 February 2011
Sara on the beach
I've just developed my first lot of films back at home, the last time I did this would have been in 1999 before going back to Brussels to try my luck at La Cambre.
I've put a few more up to share with you on home among the gum trees, you might want to have a look if you haven't already.
Don't be a stranger!!! I love hearing back from you :-)
I've put a few more up to share with you on home among the gum trees, you might want to have a look if you haven't already.
Don't be a stranger!!! I love hearing back from you :-)
Tuesday, 15 February 2011
Sunday, 13 February 2011
And I had to write a Description of Practice
Believing that there is no such thing as a coincidence I have crossed my fingers and put in a dossier for a Masterclass with Gregory Crewdson.
I had to write a "Description of Practice", here it is now, I hope it doesn't sound too...
Dear Selection Panel Members,
Photography is a vital part of my daily life. With it I write my own stories. I collect images, take them, develop them, scan them and index them, give them key words, and move them around from one selection to another. Through Photography I ponder upon where I am, I look at where I have been and try to imagine to where it is that I am going.
I practice photography because I need to, because I love the medium, for all of its subtleties and contradictions. I find that the questions posed by photography and the objects it engenders escape beautifully solid definition allowing and encouraging processes of thorough, deep, and I believe important questioning.
The photographic experience is one that is hard to define in words. I have stood before photographic works looking for the words that express my reactions to them, I have seen others, seasoned pedagogues and commentators rubbing their fingers together, waving their hands around as they blubber banalities in search for something to express their reaction to a photographic work. Perhaps one of the most effective dialogues I have seen about photography and the visual arts at large is contained in the publication 272 pages, an extremely refreshing and original dialogue between German artist Hans Peter Feldmann and Hans Ulrich Obrist presenting the works of Hans Peter Feldmann.
I am interested in what it is that images can say. I am amazed by the myriad of links that are attached invisibly to each and every photographic object and the power that they have to form all sorts of connections. Using these connections I explore my place in this world, be it by looking into the past at images that I have not taken but which have ended up for one reason or another in my hands, or by using my own photographic apparatus to create my own links with my experiences.
As an art student I was struck by an introduction we received to the works of Joseph Beuys, particularly in regards to his ideas on what it meant to be an artist, I have remembered that in essence every man is an artist, and that the essence of each mans work as an artist is to transmit, indeed to teach, to share ones experience and knowledge. My photographic practice provides me with some good occasions not only to learn, but to share my experiences, and I feel that in doing so I have, and am sharing things that are in some way important.
Edward Weston said:
“Putting one’s head under the focusing cloth is a thrill…
To pivot the camera slowly around
watching the image change on the ground glass is a revelation,
one becomes a discoverer… and finally the complete idea is there.”
This quote expresses beautifully just one part of what makes photography such an important part of my daily life, the processes of looking, of searching, of taking are to be found in all of the many steps that constitute my work as a photographer.
I take photos, I collect them, I use many different tools to do this with, Cameras of different shapes and sizes, digital and analogue, black and white and colour, and all these images I store preciously with the knowledge that somewhere along the line they have a life of there own, my capacity to control their destinations and their sense for each person that discovers them is extremely limited. Yet these photos are undoubtedly mine, I can choose which photographs to place together, and I have some consciousness of what it is that creates some kind of visual identity that is mine, and what it is that my work may signify to others. I love my photographs, and I love it when others understand them somewhat, and are touched by them.
Enough bla bla. I invite you rather to look at a selection of my images either in the 15 images that I have sent in with this application, or on my website which is to be found at http://charlesklein.viewbook.com/
Sincerely,
Charles Klein
I had to write a "Description of Practice", here it is now, I hope it doesn't sound too...
Dear Selection Panel Members,
Photography is a vital part of my daily life. With it I write my own stories. I collect images, take them, develop them, scan them and index them, give them key words, and move them around from one selection to another. Through Photography I ponder upon where I am, I look at where I have been and try to imagine to where it is that I am going.
I practice photography because I need to, because I love the medium, for all of its subtleties and contradictions. I find that the questions posed by photography and the objects it engenders escape beautifully solid definition allowing and encouraging processes of thorough, deep, and I believe important questioning.
The photographic experience is one that is hard to define in words. I have stood before photographic works looking for the words that express my reactions to them, I have seen others, seasoned pedagogues and commentators rubbing their fingers together, waving their hands around as they blubber banalities in search for something to express their reaction to a photographic work. Perhaps one of the most effective dialogues I have seen about photography and the visual arts at large is contained in the publication 272 pages, an extremely refreshing and original dialogue between German artist Hans Peter Feldmann and Hans Ulrich Obrist presenting the works of Hans Peter Feldmann.
I am interested in what it is that images can say. I am amazed by the myriad of links that are attached invisibly to each and every photographic object and the power that they have to form all sorts of connections. Using these connections I explore my place in this world, be it by looking into the past at images that I have not taken but which have ended up for one reason or another in my hands, or by using my own photographic apparatus to create my own links with my experiences.
As an art student I was struck by an introduction we received to the works of Joseph Beuys, particularly in regards to his ideas on what it meant to be an artist, I have remembered that in essence every man is an artist, and that the essence of each mans work as an artist is to transmit, indeed to teach, to share ones experience and knowledge. My photographic practice provides me with some good occasions not only to learn, but to share my experiences, and I feel that in doing so I have, and am sharing things that are in some way important.
Edward Weston said:
“Putting one’s head under the focusing cloth is a thrill…
To pivot the camera slowly around
watching the image change on the ground glass is a revelation,
one becomes a discoverer… and finally the complete idea is there.”
This quote expresses beautifully just one part of what makes photography such an important part of my daily life, the processes of looking, of searching, of taking are to be found in all of the many steps that constitute my work as a photographer.
I take photos, I collect them, I use many different tools to do this with, Cameras of different shapes and sizes, digital and analogue, black and white and colour, and all these images I store preciously with the knowledge that somewhere along the line they have a life of there own, my capacity to control their destinations and their sense for each person that discovers them is extremely limited. Yet these photos are undoubtedly mine, I can choose which photographs to place together, and I have some consciousness of what it is that creates some kind of visual identity that is mine, and what it is that my work may signify to others. I love my photographs, and I love it when others understand them somewhat, and are touched by them.
Enough bla bla. I invite you rather to look at a selection of my images either in the 15 images that I have sent in with this application, or on my website which is to be found at http://charlesklein.viewbook.com/
Sincerely,
Charles Klein
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